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Evolving Zen: Lay Practice Innovations
AI Suggested Keywords:
Dharma-Wheel_Introduction
The talk explores the integration and evolution of Zen practice within a lay community, emphasizing the process of transmission, which involves formal ceremonies and deeper personal realization. It highlights the importance of acceptance and the concept of impermanence, linking these to individual and collective practice within the Sangha. The discussion also addresses how monastic practices can evolve through lay practitioners and the role of shared communal exercises like the proposed Dharma Wheel and Sangha Councils in sustaining and evolving the teachings.
- Dogen's Teachings: Dogen's idea of everything changing is connected to Buddha nature, encouraging practitioners to experience the impermanence of the world.
- Transmission Ceremony: Outlined as a pivotal process beginning with a commitment to practice and exemplified by personal realization, underlining its importance for integrating lay and monastic practices.
- Koans: Referenced as a method to connect with historical practices, enabling practitioners to deeply embody teachings across generations.
AI Suggested Title: Evolving Zen: Lay Practice Innovations
Beate, is that you back there? I got a call from Colorado that you were in a stow in Germany and you didn't make it. No, this didn't happen in the old days. Old days mean Chinese, Buddhism, etc. And I appreciate the practice period participants for giving up your, I'm very sorry, giving up your lazy eve. And if you all fall asleep, well, not the practice period, you fall asleep, I'll forgive you. Okay. And... It's wonderful for me that practice period seems to, and this is only the third practice period, has really become a part of our practice life.
[01:25]
I led the first two practice periods here, sort of to get things started. Yeah, and... And my effort in the first two practice periods was to really, as much as possible, give the first priority to the integrity of the practice period. But my experience this practice period and with how Ryuten Roshi is leading the practice period, is that practice period, I think, is established as part of our life here and part of our schedule here.
[02:36]
And so now I feel a certain confidence in letting the Sangha, larger, wider lay Sangha practice, to some extent, fold it in, join into the practice period. Of course, all of these things, what we're doing is, for me, I'm very clear we should do it, but simultaneously it's an experiment. So it's an experiment to see how this works. And the sashin allows us to fold lay practice into the practice period.
[03:59]
I mean, sometimes any one of us may be doing monastic practice, or we may be doing primarily lay practice. And each one of us sometimes does something more like a monastery practice and sometimes more like a lay practice. And we develop and are also pioneers to say, together with others, the interplay of lay practice and monastery practice. Now, transmission, the formal transmission ceremony, in a sense, transmission begins when you start to practice with commitment.
[05:05]
And the study of how we continue the teaching continues until you die. But the formal transmission ceremony begins when your teacher decides, yeah, you're likely to realize the teachings in your own life. Or better, you're clearly evidencing the realization of the practices in your own life. Oder noch besser, dass du klar ein Beispiel bist, dass du klar aufzeigst, was die Lehren in deinem eigenen Leben sind.
[06:22]
And it's also when your teacher recognizes that your practice is inseparable from practicing with others. Others' practice has the same value as your own practice. And when you really feel that, there's no question about it, this is a big step in practice, and the first big step that's real, you can't think your way to it, that leads into transmission teachings. I'm mentioning this because what I'm involved in now, what my life is now, is how we're going to continue the teaching. Ich erwähne das, weil das, womit ich mich im Moment befasse und was im Moment mein Leben ist, ist die Frage, wie wir die Lehren weiterführen.
[07:43]
Yeah, I mean, you've heard me say this a lot, but that's the way it is. We talk about food a lot, too. Ich habe das jetzt schon oft gesagt, ihr habt es oft gehört, aber so ist das halt. Wir reden ja auch viel übers Essen. Yeah, and we still eat. Yeah. So, transmission is really about how you continue, how we continue the teachings. And the challenge is how to discover how to do that in the West. And how to do that with a primarily, basically lay Sangha. And the challenge of that is many folded. Okay.
[09:03]
Now, formal transmission divides the world up or divides how you continue the practice into three dimensions or three folds, we could say. One is how you fold yourself, your practice into the mind and practice of your teacher. And if the teacher's a good teacher, you're not just folding yourself into him or her as a person, but into how somehow, in the midst of everything, beyond personality, the teaching continues.
[10:06]
And when the teacher is a good teacher, then you don't just fall into him or her as a personality or as a person, but also into the question of how the teaching is carried on. Yeah, and you... Somehow this move is a folding into our lineage... that's before us and is now reopening before us. So that's the first fold, let's say, of continuing the teaching. Through mutual realization, which affects you in such a way that when you look back at a teacher from hundreds of years ago, you feel, ah, yes, I can be inside that practice of that person.
[11:18]
And the koans try to give us that opportunity. One of the most, I mean, the koans, you know, I spend a lot of time in the literature of Asia, Europe, and so forth, and the Cullens are just extraordinary examples of literature. Okay, so that's the first fold, first dimension that's emphasized. The second is you fold yourself, you fold your practice in the moment into the present Sangha. Und die zweite ist, dass du deine Praxis im Augenblick, im Moment in die gegenwärtige Sangha hineinfaltest.
[12:34]
Whatever your Sangha is. Egal was deine Sangha ist. You're not waiting for an ideal Sangha. You're just the Sangha that somehow chosen itself to practice with you. Now, there may be differences between people, but basically each person is somehow, as Yuten Roshi said the other day, a Buddha. As I've often said, we are multi-generational beings instantiated, you know, grandparents, parents, etc., instantiated in your singular individuality. I mean, I don't exactly see your grandparents, great-grandparents and so forth,
[13:42]
But in fact, you are the manifestation of them right now. Yeah, and also we are somehow the manifestation. We're multiple beings within our own generation. And when you bow to your companion in practice, you are bowing to yourself. And if you don't feel that you're a step or two away from the path okay yeah as usual I always thought I had about five minutes to say and already be patient don't go asleep yet
[15:20]
Okay, the third fold. The third fold is the... fold? The world itself. The world itself, how the world itself continues... Now this means everything from mudras or the posture of zazen bowing or the gestic from gesture, gestic the gestic Acknowledgement of appearance.
[16:31]
Which means as a practice, if we're going to go there, and we are going there, that you really develop the craft, the skill of finding yourself in a flow of individual appearances. And if you want only one practice, because I offer too many things, somebody said I'm building a cathedral, three things every lecture you're supposed to do. I won't tell you who said that. If you want only one practice, take this one. Find yourself in the midst of a succession of appearances. If you want only one practice, take this one. Findet euch inmitten einer Abfolge von Erscheinungen.
[18:01]
If you're practicing the Dharma, that is practicing the Dharma. Wenn ihr ein Dharma praktiziert, das ist die Praxis eines Dharma. If you're not there, you're not quite, you don't have both feet yet on the path. Wenn ihr da nicht ganz angekommen seid, dann habt ihr nicht wirklich beide Füße auf dem Weg. So just as a concert hall helps... is a necessary part of continuing classical music. A zendo and the kind of facilities we have here are a kind of concentration hall. No, that doesn't sound right. You can't say that. A kind of place where we can concentrate in an inner and outer way. And the materiality, the physicality of our practice
[19:06]
Und die Materie, die Körperlichkeit unserer Praxis. Deine Haltung. Deine Gestik. Das ist die dritte Faltung der Lehren in der Übertragung. socially and environmentally responsible administrative practices. It's how we take care of the things of the world. And it includes the gardens.
[20:20]
And really bird song at first light. So feng shui and geomancy and so forth are not just about adjusting yourself to nature, so-called nature, but letting so-called nature come into your life. So how you create a place for practice, an inner and outer place for practice is the third fold of how practice is continued. Und die Frage, wie du einen inneren und äußeren Ort für die Praxis erschaffst, das ist die dritte Falzung. Now let me speak about how we fold ourselves into the world. The first step is to know. know, know, experience everything changing.
[21:43]
No, I invited a number of people, I don't know, some people in the practice period and some people not in the practice period to join me for what what I did 10 or 15 years ago, what I called the Dharma Wheel. Yeah, if my work right now, my life right now is how to continue practically and I need help. So I'm trying to find ways that you can help me and I can help you. So I'm suggesting we create something like Sangha Councils, which I'm not going to speak about now.
[22:59]
But I want to experiment with this Dharma Wheel gathering. I know I want to do this. I know I should even have to do this. But I really don't know what I'm going to do. As usual, actually. First of all, the fact of getting us together this evening and tomorrow and Sunday morning, whoever can come. I want to explore together what we can do. How we can maybe become clear about the basic Dharma Sangha practices. And then, by infolding them in the Dharma wheel group, we can maybe outfold them into the whole of the Sangha.
[24:25]
As a way in a lay monastic practice continuing the teaching. It could be worse. So with the Dharma Wheel group and with all of us in other venues I want to go back to our most basic teachings. And look at how those basic teachings evolve.
[25:28]
A specialty of lay practice has to be that a basic teaching evolves through your living that teaching in your lay life. I lost you. Okay. There's monastic teachings. And monastic teachings depend on a teacher and depend on other teachings that are brought into your practice. Gosh, I lost you again. Well, it's too hard to understand. It's really not. No, I don't know what's happening. And other teachers... Thank you. Very good. I know when I don't understand something, I read a book and I'm not saying, of course you didn't understand. As I read a book and I get to a certain point and I fall asleep. I'm not good at reading horizontally anyway.
[26:31]
But sometimes I try. Yeah, it would be nice to read some kind of great thought before I go to sleep. But I find I go back and I start over again and then I fall asleep with the same great thought. And it's clear I've fallen asleep because I don't understand the great thought. Okay, monastic practice, I mean, ideally transmission is months and years together, face to face. How are we going to do that in a lay situation?
[27:33]
And because you're living together for... There's lots of opportunity to see when a missing piece could be another teaching and you bring it in. So it's a teaching skill, a practice skill to notice when there's a missing piece. And it is a practice ability to notice when there is a missing piece. So lay practitioners can use Sashin, Doksha and so forth for that? As much as possible.
[28:34]
And lay practitioners can use Sashin and Doksha and what else? Sashin, Doksha and? Yes. Yes, they can use it. Yes, as much as possible. Okay. But the ideal lay practice is once you've got it down or once you've realized it or basically understand it and can apply it. The first step in any teaching is to know it. Der erste Schritt in jeder Lehre ist, es zu wissen. The second step is to apply it. Der zweite Schritt ist, es anzuwenden. Now, a teaching within a lay sangha that are most effective don't have to be applied in the monastery. They can be applied in your ordinary circumstances. And then they evolve through your ordinary circumstances.
[29:39]
And if you really have an attentionally evolved practice, You don't so much have to go back to the teacher or the monastery or something to find out what the next step is, because the next step keeps unfolding from your life. Okay, since we don't have, you know, all night. So it's, you know, I was very amused, even thrilled, to find out Dogen sometimes gave talks at 2 a.m. You know, if you don't have lights and things, what do you do when it's dark?
[30:48]
You go to sleep, but you can't sleep for all those hours that it's dark, particularly in the winter. So Dogen would get everybody up at 2 a.m. and let's have a little Dharma in the kitchen. I haven't tried that yet. And I haven't asked the Tenzo permission. So I said, the most basic teaching, let me say there's maybe two companion basic teachings. The root teaching is acceptance.
[31:49]
If you can't accept what appears, you're in trouble. You might as well live in a different century or something. So maybe the first practice is acceptance. Okay. Now, I'm sorry to say, but one of the secrets of practice is 100%. Practice which is 90%? Well, 10% allows the whole world to come in. So your intention has to be 100%.
[32:50]
In every appearance, in every situation, your first response, natural response, is acceptance. In jeder Situation, in allen Umständen ist deine erste natürliche Reaktion darauf akzeptant. Of course, your second response might be, oh my God, this is horrible. Deine zweite Reaktion darauf kann natürlich sein, oh je, das ist schrecklich. The plane is crashing. Das Flugzeug stürzt. But if you're in the plane, you can't do too much about it. Better accept it. You might. Your calmness might help the people around you. So at least our intention ought to be 100% calm. Everything that appears, I think of, etc., I accept.
[34:04]
And then your practice is to notice when you don't accept it. And then your practice is to investigate why you didn't accept it, how you didn't accept it. So the intention to practice 100% acceptance allows you to investigate when it doesn't happen. And that's the craft of practice. It's like, yeah, enough. Okay, the other basic teaching, philosophical basic teaching, is everything changes. But everything changes as a concept.
[35:20]
How do you practice everything changes? How do you practice a concept? Well, I mean, I think in English and in Deutsch, we are stuck sometimes with practicing a concept. And we might as well start with the concept. If that's what the teaching is, we have to start somewhere. Okay, so then we have to have a feeling for language or for words, the physical dimension of words. And then we need a feeling for the words, the embodied dimension of words. So if the words are just mental formations, they don't work in practice. So that we have...
[36:23]
Like I've often said to you, say to yourself, I'm sorry, in English, who am I? Okay, now take the word who away and put in another W word, what am I? Jetzt nimmt das Wort wer weg und ersetzt es durch ein anderes Wort mit we, nämlich was bin. When you respond to your internal question, who am I, what am I, it's different. Wenn ihr auf eure innere Frage, wer bin ich oder was bin ich, antwortet, dann seht ihr, dass es unterschiedlich ist. And it's different because the word what has changed. if you use it regularly in English, it has captured its meaning in its physical sound. So maybe one of the things we can talk about in the Dharma Wheel is how to
[37:42]
Be sensitive to the physical dimensions of language. I can say jump for joy. Yeah. It's fairly, you know, it's like directions in a theater. At this point, the actors jump for joy. But, you know, it doesn't incubate very well. If you try to practice jumping for joy, you'll get tired after a while. So how could you practice non-referential joy? No, that's a concept that doesn't lend itself to practice so easily.
[39:01]
Okay, so I think one of the things we should speak about in the Dharma Wheel is how to transform a concept into something you can practice. And I think one of the things we should talk about in the Dharma Wheel is the question of how to convert a concept into something that can be practiced. Like you can pause for the particulars. It's an instruction. Pause for the particular. Okay, now I think I've said about as much as can be absorbed this evening. But I want to, since this may be the only tesho I give during this practice period, I would like to see if I can say a few more sentences.
[40:26]
One of the things I'd like the practice councils or the Sangha councils and the Dharma Wheel to do is to think about whether there's practices Is darüber nachzudenken, ob es Übungen gibt, die wir alle machen können. I mean, maybe some, the feeling that the whole Sangha is practicing something might have some power. Vielleicht hat dieses Gefühl, dass die ganze Sangha etwas praktiziert, vielleicht hat das Kraft. I found, about a year ago, said something like, you all have spines, usually they're with you.
[41:30]
But your attentional spine is not always with you. You have to establish an attentional spine. And all you need is attention and your spine and you got it. And then you have to gestate it, explore it, repeat it. Repeat it in changing circumstances. Okay. And this practice has been brought up to me more often, I didn't expect it, more often than anything else in the last year or so. Brought up to me in Doksana, I think. So for some reason, it seemed obvious to me that we should be doing it, but for some reason to make it really explicit became a general practice for many people.
[42:42]
Okay. The most basic view of Buddhism is that everything changes. And maybe we give it a stronger form. And say absolutely everything always changes. How can you bring that into your life? First you have to investigate it. And make sure that you really believe that and know it.
[43:55]
So you have to start trying it with things that you think don't change. Yeah, the stone on your desk. Yeah, but you can move it around on your desk. And if you lick it, it gets shiny. And if you look at it carefully, you see the geology of its change over millennium. And if it stays in your desk for 20 years... In my case, some have been there longer than 20 years. Somehow not the stone I found 20 years ago. I'm finding it again. Okay, so you have to investigate like that and make sure you really feel that everything is changing. Then you have to work with the concept of staying.
[45:17]
Some things stay. They don't change so fast. So let me just speak about One way you can practice with everything changing. If you bring attention to your spine and to the spine mind and to the space that appears through the spine mind And do that enough now and then, here and there, etc. Pretty soon I think you'll find your breath and your spine are coordinated.
[46:18]
So I suggest you can breathe up your spine. Everything changes. And each appearance, you breathe up your spine, everything changes. And then you let that appearance confirm that it's changing. And you are changing. Now, if you find a way that every appearance is appearance that you're that's changing and you're accepting it, knowing it as changing. You've transformed the membrane between you and the world.
[47:39]
The skin of the world is now your skin. Because the fact of the world is that everything is changing. Dogen says explicitly To know that everything changes is Buddha nature. To know and experience. And when you experience the world as it actually exists, everything changes. Dogen can call it Buddha nature.
[48:49]
Because it opens you up to the world in an entirely new way. The membrane between you and the world and the life is jnana and everything that's happening simultaneously. The unexplainable as well as the explainable begins to act within you and through you. And we can call that Buddha nature. There are a few things I should have said. How nice to be here in the midst of each of you. Thank you very much. May our intentions equally pierce through every being and every place with the true merit of the Buddha's path.
[50:11]
Shujong Heng Se Gang Do Bo No Bo Ngu Che Heng Se Gang Dang Thank you. The living beings are countless, I praise them to guide. The desires are unachievable, I praise them to give up. The things of nature are immeasurable, I praise them to transcend. The way of the Buddha is unsurpassable, I praise him to make it possible. Okay.
[51:20]
Thank you.
[52:25]
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