You are currently logged-out. You can log-in or create an account to see more talks, save favorites, and more. more info
Poetry Talks
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, consonance, euphony and cacophony, onomatopoeia, rhythm (via metre), rhyme schemes (patterns in the type and placement of a phoneme group) and sound symbolism, to produce musical or other artistic effects. They also frequently organize these devices into poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often rely on rhythmic metre: patterns of syllable stress or syllable (or mora) weight. They may also use repeating patterns of phonemes, phoneme groups, tones, words, or entire phrases. Poetic structures may even be semantic (e.g. the volta required in a Petrachan sonnet).
Most written poems are formatted in verse: a series or stack of lines on a page, which follow the poetic structure. For this reason, verse has also become a synonym (a metonym) for poetry. Some poetry types are unique to particular cultures and genres and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz, or Rumi may think of it as written in lines based on rhyme and regular meter. There are, however, traditions, such as Biblical poetry and alliterative verse, that use other means to create rhythm and euphony. Other traditions, such as Somali poetry, rely on complex systems of alliteration and metre independent of writing and have been described as structurally comparable to ancient Greek and medieval European oral verse. Much modern poetry reflects a critique of poetic tradition, testing the principle of euphony itself or altogether forgoing rhyme or set rhythm. In first-person poems, the lyrics are spoken by an "I", a character who may be termed the speaker, distinct from the poet (the author). Thus if, for example, a poem asserts, "I killed my enemy in Reno", it is the speaker, not the poet, who is the killer (unless this "confession" is a form of metaphor which needs to be considered in closer context – via close reading).
Poetry uses forms and conventions to suggest differential interpretations of words, or to evoke emotive responses. The use of ambiguity, symbolism, irony, and other stylistic elements of poetic diction often leaves a poem open to multiple interpretations. Similarly, figures of speech such as metaphor, simile, and metonymy establish a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between individual verses, in their patterns of rhyme or rhythm.
Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poem, the Epic of Gilgamesh, was written in the Sumerian language. Early poems in the Eurasian continent include folk songs such as the Chinese Shijing, religious hymns (such as the Sanskrit Rigveda, the Zoroastrian Gathas, the Hurrian songs, and the Hebrew Psalms); and retellings of oral epics (such as the Egyptian Story of Sinuhe, Indian epic poetry, and the Homeric epics, the Iliad and the Odyssey). Ancient Greek attempts to define poetry, such as Aristotle's Poetics, focused on the uses of speech in rhetoric, drama, song, and comedy. Later attempts concentrated on features such as repetition, verse form, and rhyme, and emphasized aesthetics which distinguish poetry from the format of more objectively-informative, academic, or typical writing, which is known as prose. Poets – as, from the Greek, "makers" of language – have contributed to the evolution of the linguistic, expressive, and utilitarian qualities of their languages. In an increasingly globalized world, poets often adapt forms, styles, and techniques from diverse cultures and languages. A Western cultural tradition (extending at least from Homer to Rilke) associates the production of poetry with inspiration – often by a Muse (either classical or contemporary), or through other (often canonised) poets' work which sets some kind of example or challenge.
| Title | Speaker | |
|---|---|---|
Zen Meditation - Sitting in the Middle of Fierce FlamesYRB-2018-Spring, Nirvana, Koan, Poetry |
Apr 03 2018 4 of 7 The Yoga Room |
|
Essence and Action of PrajnaSerial: BZ-01235 Saturday Lecture Precepts, Hui Neng, Poetry, Precepts, Bodhisattva Ceremony, Duality, Buddha Nature,... |
May 13 2006 Berkeley Zen Center |
|
Small PotatoesSerial: SF-01093 Sunday Lecture: "Just to be alive is enough" (Suzuki Roshi) - dissatisfaction even when we "have everything" - acedia/noonday sickness - spiritual dryness - "small potatoes" -... Time, Poetry, Practice |
Feb 27 2005 Green Gulch Farm |
|
Zen and Poetry: Transcending Language BarriersSerial: RB-01414 Seminar_The_Poetry_of_Life_and_Zen Poetry, Practice, Time |
Jun 13 2002 Johanneshof |
|
Zen Words, Poetic WorldsSerial: RB-01415 Seminar_The_Poetry_of_Life_and_Zen Poetry, Time, Practice |
Jun 13 2002 Johanneshof |
|
Sacred HumanitasSerial: NC-01073 Community Retreat Spring 2002. Soul and Spirit. Presence and Absence. OSB Cam, Poetry, Bowing, Ego, Fox, Demons, Oneness |
Apr 2002 5 of 5 (#4 not recorded) New Camaldoli Hermitage |
|
Zen and Poetry Class Time, Poetry, Love |
Mar 19 2002 Green Gulch Farm |
|
Zen and Poetry Class Poetry, Buddha, Love |
Mar 12 2002 Green Gulch Farm |
|
Zen and Poetry ClassSerial: SF-01142 Life and Poetry - Ryokan, Didactic Poems - Writing without adjectives/adverbs Poetry, Time |
Mar 05 2002 Green Gulch Farm |
|
Zen and Poetry Class Poetry, Time, Japan |
Feb 19 2002 Green Gulch Farm |
|
Buddhism at Millennium's Edge - Poems 2Serial: SF-03522 Copyright 1998 by Gary Snyder - Unedited Preview Cassette Time, Poetry, Intention |
1998 Unknown |
|
Buddhism at Millennium's Edge - Poems 1Serial: SF-03521 Copyright 1998 by Gary Snyder - Unedited Preview Cassette Time, Poetry, Work |
1998 Unknown |
|
Mountains And Rivers Without EndSerial: SF-03583 Mountains And Rivers Workshop, Mark Gonnerman, Stanford Humanities Center, Kresge Auditorium Poetry, Work, Time |
Oct 09 1997 Stanford University |
|
Awaken Beyond Stories Time, Practice, Poetry |
Jan 07 1995 Unknown |
|
Christ, the Poets and the PersonSerial: NC-00047 Part of "The Awakening Self: The New Testament and the Poets" retreat. Archival Photo OSB Cam, Poetry, First Principle, Realization, Buddhism, Emptiness |
1995 1 of 4 New Camaldoli Hermitage |
|
Awakening Self in the New TestamentSerial: NC-00048 Part of "The Awakening Self: The New Testament and the Poets" retreat. Archival Photo OSB Cam, Poetry, Realization, War, Letting Go, Enlightenment, Buddhism |
1995 2 of 4 New Camaldoli Hermitage |
|
Awakening Self in the English Romantic PoetsSerial: NC-00049 Part of "The Awakening Self: The New Testament and the Poets" retreat. Archival Photo OSB Cam, Poetry, Mandala, Enlightenment, Emotions, Ego |
1995 3 of 4 New Camaldoli Hermitage |
|
Awakening in the American "Adamic" PoetsSerial: NC-00050 Part of "The Awakening Self: The New Testament and the Poets" retreat. Archival Photo OSB Cam, Poetry, Ego, Intuition, Zoom, Breath, Realization |
1995 4 of 4 New Camaldoli Hermitage |
|
Mindful Living Beyond Perception Practice, Time, Poetry |
Apr 08 1984 Tassajara |
|
An Afternoon of Poetry and Discussion Poetry, Work, Time |
Mar 27 1983 San Francisco Zen Center |
|
Poetry Reading Time, Poetry, Work |
Feb 01 1983 City Center |
|
Dreams, Duality, and Poetic Truths Work, Time, Poetry |
May 11 1980 San Francisco Zen Center |
|
Mystical Worlds in Poetic Creation Time, Poetry, Love |
Apr 13 1980 San Francisco Zen Center |
|
Browning's Sordello Time, Work, Poetry |
Mar 30 1980 San Francisco Zen Center |
|
Browning's Quest for Timeless Connection Time, Love, Poetry |
Mar 23 1980 San Francisco Zen Center |
|
Visionary Craft: Shaping Worlds Anew Time, Work, Poetry |
Mar 16 1980 San Francisco Zen Center |
|
Imagination's Tapestry: Browning's Legacy Poetry, Time, Love |
Mar 09 1980 San Francisco Zen Center |
|
Sordello: Unity Through Fragmentation Time, Poetry, Work |
Mar 09 1980 San Francisco Zen Center |
|
Browning's Sordello Time, Poetry, Love |
Feb 18 1980 San Francisco Zen Center |
|
Browning's Sordello Time, Poetry |
Feb 10 1980 San Francisco Zen Center |
|
Browning's Sordello Poetry, Time, Love |
Feb 10 1980 San Francisco Zen Center |
|
Reviving Sacred Spaces in Modernity Poetry, Priest, Community |
Aug 17 1970 Mount Saviour Monastery |
|
The House of Belonging Love, Time, Poetry |
|
|
Unknown Title, Serial 01503, Side BSerial: BZ-01503B Speaker most likely the same as Serial No. 00306B - identified with the assistance of Shosan Victoria Austin. Emptiness, Bodhidharma, Poetry |
|