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Poetry Talks

Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, consonance, euphony and cacophony, onomatopoeia, rhythm (via metre), rhyme schemes (patterns in the type and placement of a phoneme group) and sound symbolism, to produce musical or other artistic effects. They also frequently organize these devices into poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often rely on rhythmic metre: patterns of syllable stress or syllable (or mora) weight. They may also use repeating patterns of phonemes, phoneme groups, tones, words, or entire phrases. Poetic structures may even be semantic (e.g. the volta required in a Petrachan sonnet).

Most written poems are formatted in verse: a series or stack of lines on a page, which follow the poetic structure. For this reason, verse has also become a synonym (a metonym) for poetry. Some poetry types are unique to particular cultures and genres and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz, or Rumi may think of it as written in lines based on rhyme and regular meter. There are, however, traditions, such as Biblical poetry and alliterative verse, that use other means to create rhythm and euphony. Other traditions, such as Somali poetry, rely on complex systems of alliteration and metre independent of writing and have been described as structurally comparable to ancient Greek and medieval European oral verse. Much modern poetry reflects a critique of poetic tradition, testing the principle of euphony itself or altogether forgoing rhyme or set rhythm. In first-person poems, the lyrics are spoken by an "I", a character who may be termed the speaker, distinct from the poet (the author). Thus if, for example, a poem asserts, "I killed my enemy in Reno", it is the speaker, not the poet, who is the killer (unless this "confession" is a form of metaphor which needs to be considered in closer context – via close reading).

Poetry uses forms and conventions to suggest differential interpretations of words, or to evoke emotive responses. The use of ambiguity, symbolism, irony, and other stylistic elements of poetic diction often leaves a poem open to multiple interpretations. Similarly, figures of speech such as metaphor, simile, and metonymy establish a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between individual verses, in their patterns of rhyme or rhythm.

Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poem, the Epic of Gilgamesh, was written in the Sumerian language. Early poems in the Eurasian continent include folk songs such as the Chinese Shijing, religious hymns (such as the Sanskrit Rigveda, the Zoroastrian Gathas, the Hurrian songs, and the Hebrew Psalms); and retellings of oral epics (such as the Egyptian Story of Sinuhe, Indian epic poetry, and the Homeric epics, the Iliad and the Odyssey). Ancient Greek attempts to define poetry, such as Aristotle's Poetics, focused on the uses of speech in rhetoric, drama, song, and comedy. Later attempts concentrated on features such as repetition, verse form, and rhyme, and emphasized aesthetics which distinguish poetry from the format of more objectively-informative, academic, or typical writing, which is known as prose. Poets – as, from the Greek, "makers" of language – have contributed to the evolution of the linguistic, expressive, and utilitarian qualities of their languages. In an increasingly globalized world, poets often adapt forms, styles, and techniques from diverse cultures and languages. A Western cultural tradition (extending at least from Homer to Rilke) associates the production of poetry with inspiration – often by a Muse (either classical or contemporary), or through other (often canonised) poets' work which sets some kind of example or challenge.

From Poetry on Wikipedia

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Title Speaker

Zen Meditation - Sitting in the Middle of Fierce Flames

YRB-2018-Spring, Nirvana, Koan, Poetry
Apr 03 2018
4 of 7
The Yoga Room

Essence and Action of Prajna

Serial: BZ-01235

Saturday Lecture

Precepts, Hui Neng, Poetry, Precepts, Bodhisattva Ceremony, Duality, Buddha Nature,...
May 13 2006
Berkeley Zen Center

Small Potatoes

Serial: SF-01093

Sunday Lecture: "Just to be alive is enough" (Suzuki Roshi) - dissatisfaction even when we "have everything" - acedia/noonday sickness - spiritual dryness - "small potatoes" -...

Time, Poetry, Practice
Feb 27 2005
Green Gulch Farm

Zen and Poetry: Transcending Language Barriers

Serial: RB-01414

Seminar_The_Poetry_of_Life_and_Zen

Poetry, Practice, Time
Jun 13 2002
Johanneshof

Zen Words, Poetic Worlds

Serial: RB-01415

Seminar_The_Poetry_of_Life_and_Zen

Poetry, Time, Practice
Jun 13 2002
Johanneshof

Sacred Humanitas

Serial: NC-01073

Community Retreat Spring 2002. Soul and Spirit. Presence and Absence.

OSB Cam, Poetry, Bowing, Ego, Fox, Demons, Oneness
Apr 2002
5 of 5 (#4 not recorded)
New Camaldoli Hermitage

Zen and Poetry Class

Time, Poetry, Love
Mar 19 2002
Green Gulch Farm

Zen and Poetry Class

Poetry, Buddha, Love
Mar 12 2002
Green Gulch Farm

Zen and Poetry Class

Serial: SF-01142

Life and Poetry - Ryokan, Didactic Poems - Writing without adjectives/adverbs

Poetry, Time
Mar 05 2002
Green Gulch Farm

Zen and Poetry Class

Poetry, Time, Japan
Feb 19 2002
Green Gulch Farm

Buddhism at Millennium's Edge - Poems 2

Serial: SF-03522

Copyright 1998 by Gary Snyder - Unedited Preview Cassette

Time, Poetry, Intention
1998
Unknown

Buddhism at Millennium's Edge - Poems 1

Serial: SF-03521

Copyright 1998 by Gary Snyder - Unedited Preview Cassette

Time, Poetry, Work
1998
Unknown

Mountains And Rivers Without End

Serial: SF-03583

Mountains And Rivers Workshop, Mark Gonnerman, Stanford Humanities Center, Kresge Auditorium

Poetry, Work, Time
Oct 09 1997
Stanford University

Awaken Beyond Stories

Time, Practice, Poetry
Jan 07 1995
Unknown

Christ, the Poets and the Person

Serial: NC-00047

Part of "The Awakening Self: The New Testament and the Poets" retreat.

Archival Photo

OSB Cam, Poetry, First Principle, Realization, Buddhism, Emptiness
1995
1 of 4
New Camaldoli Hermitage

Awakening Self in the New Testament

Serial: NC-00048

Part of "The Awakening Self: The New Testament and the Poets" retreat.

Archival Photo

OSB Cam, Poetry, Realization, War, Letting Go, Enlightenment, Buddhism
1995
2 of 4
New Camaldoli Hermitage

Awakening Self in the English Romantic Poets

Serial: NC-00049

Part of "The Awakening Self: The New Testament and the Poets" retreat.

Archival Photo

OSB Cam, Poetry, Mandala, Enlightenment, Emotions, Ego
1995
3 of 4
New Camaldoli Hermitage

Awakening in the American "Adamic" Poets

Serial: NC-00050

Part of "The Awakening Self: The New Testament and the Poets" retreat.

Archival Photo

OSB Cam, Poetry, Ego, Intuition, Zoom, Breath, Realization
1995
4 of 4
New Camaldoli Hermitage

Mindful Living Beyond Perception

Practice, Time, Poetry
Apr 08 1984
Tassajara

An Afternoon of Poetry and Discussion

Poetry, Work, Time
Mar 27 1983
San Francisco Zen Center

Poetry Reading

Time, Poetry, Work
Feb 01 1983
City Center

Dreams, Duality, and Poetic Truths

Work, Time, Poetry
May 11 1980
San Francisco Zen Center

Mystical Worlds in Poetic Creation

Time, Poetry, Love
Apr 13 1980
San Francisco Zen Center

Browning's Sordello

Time, Work, Poetry
Mar 30 1980
San Francisco Zen Center

Browning's Quest for Timeless Connection

Time, Love, Poetry
Mar 23 1980
San Francisco Zen Center

Visionary Craft: Shaping Worlds Anew

Time, Work, Poetry
Mar 16 1980
San Francisco Zen Center

Imagination's Tapestry: Browning's Legacy

Poetry, Time, Love
Mar 09 1980
San Francisco Zen Center

Sordello: Unity Through Fragmentation

Time, Poetry, Work
Mar 09 1980
San Francisco Zen Center

Browning's Sordello

Time, Poetry, Love
Feb 18 1980
San Francisco Zen Center

Browning's Sordello

Time, Poetry
Feb 10 1980
San Francisco Zen Center

Browning's Sordello

Poetry, Time, Love
Feb 10 1980
San Francisco Zen Center

Reviving Sacred Spaces in Modernity

Poetry, Priest, Community
Aug 17 1970
Mount Saviour Monastery

The House of Belonging

Love, Time, Poetry
Unknown

Unknown Title, Serial 01503, Side B

Serial: BZ-01503B

Speaker most likely the same as Serial No. 00306B - identified with the assistance of Shosan Victoria Austin. 

Emptiness, Bodhidharma, Poetry
Tassajara