I don't know if it's better to do it together or not. All of these things are for everyone? Yes. the melodies, I guess you could call them the notations, beginning with that one ro-ji-no-ge, right at the top. Bo-bu-ku. Bo-bu-ku.

[01:13]

Bo-bu-ku. [...] Ho Ho Kumari Kiyon Ho Ho Kumari Kiyon This logo, this sign, this is, well, it comes out everywhere. OM KUMARIKYON

[02:29]

I will do it in onoji, so my voice will be small. I have learned it like that. I will do it in onoji. Please try it once. Go-ho-ru-ma-ri-yo-n Next, we'll do Jyoketsu Ninmyo. Jyoketsu In my heart, I can't forget you.

[03:52]

Oh, yeah, [...] yeah. Holy, Holy, Holy, Nikolai Doshin, Nikolai Doshin,

[05:11]

Oh, oh, [...] So, TORUCHO NIKAI TORUCHO NIKAI HONSHI NI MYOKYO

[06:51]

I see you. Yin Dao Hun Xue Xi Yin Dao Hun Xue Xi

[08:03]

This is usually done by people in the street, but if you pull it too long, it won't grow. If you hit a tree, it won't grow. I'm going to hit it the same way, but if it doesn't grow faster, it will wither. I've said this many times, but it's especially late when it comes to the exchange of money. You have to be careful about this. I've said it many times, but no one pays attention to it. It's the same for cars, but from the first 1, 2, 3, it gets faster and faster. But if you do it slowly at the same speed, it will be too slow.

[09:09]

You will get used to it. This is a proof that you don't read sutras by yourself. If you read sutras with everyone, you will be able to do it a little faster. No matter how many people do it, it won't work. You have to be careful. You have to practice. You will get used to it. The basics are here. The Doshi is here. In the front, there is a Shoko-daiba. And the Doshi comes out from here. It comes out like this. And here, the Shoko-daiba comes back. Between here, the Koshin comes out from the Keigei. and come back home. It doesn't suit him. He's got a slow gait, so he's very straight.

[10:11]

It doesn't suit his body. You have to practice this well. I'm sure you understand, but you can't say it right. You have to practice it in the Doan temple. Other people will come. What are you doing? So that this doesn't happen, I want you to do a little more. As an aside, all of this, where I did it now, there are a lot of onnoji. But here, after there is a jogushi, it's called a kiru. You cut it like this. So the second character there from the top is called a rurushi. That looks like a hiragana for ruru sound.

[11:11]

There's a cut where you take a break there. And then that thing that he was just drawing there is actually longer than it looks, longer than I've drawn it. It usually goes in three notes up. You'll find this same notation in several places here. So we can do the next one, FUSATSU NO GEI, the second one. GEI KA AI SHOJO YOMANGATSU Om.

[12:36]

Om. [...] Shreem Krishnamurti OK. OK. OK. I see you.

[13:55]

Oh. [...] Choir singing. Namo Buddhaya.

[14:59]

Namo Buddhaya. Tsunoji is already in the mouth, right? Tsumeru. Then, next is Jousui no Gei. Hakudo Okusui. Joushojin Kanshokoku. Okay, that's it. Kyōjiki enkai no ketsubon.

[16:30]

Jissai shūjō hyakunyō de. And then, next is KOTO. KHO TOK KUN MO KHO SO SHOK KHO SHING KHO SOK KHO PUN NYI YOD

[17:34]

Satsang with the Singers on Golden Hill. Annyeonghaseyo Kedatseomang. Gunjo-do-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e-e Now, the next one is,

[18:57]

Namo Shakyamuni Buddha Shakyamuni Shreem Brzee Ram Ram Ram Bodhisattva Shiva Bodhisattva Shiva

[20:17]

O Tathagati Aham Namo'valokiteshvaraya U-SAT-DO-SHI-RO U-SAT-DO-SHI-RO This is the first part of FUSHIMONO.

[21:42]

Also, there is a part where the shoubyaku hits the tsuyu, and you have to chant it together. In this first part, you have to practice this part again. This is the beginning of roji. [...] So those are the main notations for these verses. ZHI [...] Z

[23:08]

of the triune. DORJE JIGUN YONG DORJE GYEOKGANG JIGUN Yi [...]

[24:27]

for dear country. In the name of the Father, the Son, and the Holy Spirit. Thoracotic eyes,

[25:32]

Oh, Chi [...] And now, the Satsang.

[27:27]

jīpa kaiśo jo bhūmāṅgata Thank you. KENKU KOKE KOKE KENKU KOKE NUKE When there is no star,

[29:26]

Don't extend the notes too long, he says. Oye yo, ho, [...] Namo Sanghaya Namo Sanghaya Namo Sanghaya

[30:37]

This is Jōsui-no-ge. These are not all Daishu-do-on, but they are the people of Tōyaku. Well, not everyone knows this. I'm not saying I won't say it at all. Hakudokusui Joshojin Kanshokoku Shimojin PARUROKUSUI DOSOKOI GANSHOKU SHINKUUSEN KYOJIKI ENKAI

[32:21]

OK, let's go on. Yes, I see. Oh, no. I couldn't hold it. I choose to be. BUDDHISM IS THE ULTIMATE PRACTICE KOTO KONMO OP SAKSHAKU SHINGO SUKHA PURNIMUKHA SAKSHAKU SHINGO SUKHA

[33:29]

I am here. Oh. for all of us.

[34:51]

Oh, oh, [...] to our Lord. Okay. Om Namah Shivaya.

[35:58]

What does your Buddha do? for all of you. Now, let's look at the practice of Zen meditation.

[37:27]

OM GOMUGE GEJATSU NANTOKUNANU LOKUM KA OM GOMUGE oh yeah yeah Now, again to another direction.

[38:48]

GOSOK SHOJO GOSHI CHO GOSOK SHOJO DENSHIN SHITE YO Shakyamuni Buddha, [...] DAKUN ODEH KENPO ICHI SHIRA MUGENZO ICHI SADI SHURO DAKUN ODEH

[40:30]

Sange, Sange-no-ge. The only difference from the normal Sange-no-ge is here. The normal one has two Okagi, and this one has two. So, in This is called sanshuu.

[41:44]

It's not hokke, it's hokke. This is often called sanshuu hokke. And she'll forgive you, too. Hey, tune up. Sun is strong, and it Sang syu ho kye, yi shok.

[43:15]

Sang syu ho kye, chen ché po [...] on your life. I'm still walking and it won't OM HUNG [...] H

[44:51]

I start singing a shloka again. Hai ko jo ko ye da ko Ho Myung Tai Yen Ho Kai Mokyo Udayi, Tenho Udayi, Kuyo Jito,

[46:35]

O Jagat Awadhu Kimmahu Om, om, na, [...] Dööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööööö This is the book of the world.

[48:23]

Dorengi puja kusu gindi. Chin chok chok. Keshu Rahim, Keshu Rahim, Ujo Usun, In the name of the Father, the Son, and the Holy Spirit.

[49:59]

Amen. Shanti [...] Do you have this? Yes, I do. Sankirai. Aum.

[51:12]

Aum. [...] And after that is the same sound. Toganshujo. AIGE DAIDO TSUMUJOI OM NAME SHUKRO AIGE AIKO SUROI

[52:22]

YIK YI HUNG HUNG HUNG Chö [...] Chin-nyo-kyo-zo, Chin-nyo-kai.

[53:34]

Okan-shu-ko, Jin-nyo-kyo-zo, Chin-nyo-kai. Chi kyi tsa wang wang, wang wang, WUKANG SHIJIU BURI DAI SHIU YI SAI MU GYI

[54:59]

OKAN SHUJO TORIDAI SHURI SAIMUGE [...] This is also from the play Shobyaku, a play by Hikino. Ana, [...] Ana

[56:17]

Shindeikari kuroku Sanzen no kairi from the top of the head. I came here to worship I came here to see you.

[58:07]

Anongke. [...] Shobutsu shusei dai It's written as Ichi, but it's written as Dai Ikkei.

[59:13]

Dai Ikkei. Dai Shi Wa Go. Dai Shi Wa Go. Dako me kye, ee, [...] ee Roku dake. Daishu utago, jagu deke.

[60:27]

Okay. The most difficult one is this one. This is the Nyorai-bai. It's not that it's good or bad, it's just that depending on the dojo or shike, the fushimono can be slightly different.

[61:33]

In foreign countries, they have a variety of instruments like the Sanbika. But in Japan, we use mouthpieces. We don't use instruments, so the kanji changes. I don't think it's a bad thing. So, where did you learn it? It's like this, kind of special notation. There is a different way of saying it in Japanese.

[63:02]

In Japanese, we say it like this. In the old days, we probably used to say it like this. But in this day and age, we tend to listen to it or chant it. In Iwari-ryu, we call it Manobi-ga-suru. It means that we can't do Yo-shin-bo. Since the Yutsu-no-jidai, we have been doing this. We put together a lot of things. And then, we do Yo-rai-bai, Yo-rai. We do Yo-rai. We only do Myo-no-ji. And then, at the end, we do Shiki-shin-ge. This kind of thing, even if you don't do it one by one, it will be lost.

[64:04]

This kind of thing has come out. The first... This is written in the same way, but only the last part is pulled a little. The other one is a little raised. It looks like this. Like this.

[65:08]

This is how it should be. And then, when the bell rings, it starts from the eyes. Depending on the person who is teaching, the sound of meeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee I was especially careful that I didn't just pull the enoji all the way to the end.

[66:11]

Now, I'll just do this part. Mi, Mi, Mi, Yo, Ho, Ho, A, A, I, [...] E, [...] E.

[67:12]

Next is Tsuri-Mae-Fume-Yataka. Go up and then go down. Eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee LAM YIN CHE SHOK KUN DEN GYI PO

[68:38]

Oh, oh, [...] Yes, let's do it together. SANGYE SUKHOKON TENDIKON SANSHU TOGE NIKISHO

[70:11]

Om. Om. who on each side showed no pride.

[71:10]

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